Profile, extension and depth: Practical Classes
Number of course weeks
7 hours 30 minutes per week
Total contact hours
Form / content / level
Admitted to second year of Bachelor phase.
A1/B2/C1/C3 (click here
for an explanation).
Developing skills to make sound design / foley for film.
Relation to other modules
Related to the other CFT modules.
Main part of the program is the case orientated training in class. Students get films without foley to learn how to create their own professional sound design for the given film. Topics like creating a realistic foley that suits the desire and atmosphere of the film, spacing of interior / exterior environments, and creating sfx for film are the main part of this module. Beside of this the post production process like knowledge about R128, DCP and other formats needed to deliver a proper film music product is part of the module.
Mode(s) of instruction
Pro Tools or Cubase.
Examination and assessment
Mode(s) of assessment
Assessment by the instructor at the end of the module.
Students make their own sound design for at least one film of the length of 2 min with different interior / exterior.
Students know all about postproduction formats in that way that they can deliver a postproduction mix to a cinema.
The student has completed this module if he is awarded a minimum grade of 5.5 at the end of the module.
Assessment of the products handed in by the students. The post-production part is assessed with a test.
Sound design for film and post production for film.